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Barthes, Roland (translated by Stephen Heath). (1987). Chapter 2 - Rhetoric of the Image. In Image - Music - Text (Reissue). HarperCollins Publishers. https://contentstore.cla.co.uk/secure/link?id=6a4ea818-90f6-ea11-80cd-005056af4099
Batchen, G. (1997). Burning with desire: the conception of photography. MIT Press.
Bate, D. (2009). Chapter 2 of Photography - ‘Photography Theory’. In Photography: Vol. The key concepts. Berg. https://contentstore.cla.co.uk/secure/link?id=638feccd-4fd0-e711-80cd-005056af4099
Bate, D. (2016). Photography: the key concepts: Vol. The key concepts series (Second edition). Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.
Berger, J. (1980). Chapter ‘Uses of Photography’ in About looking. Writers and Readers. https://contentstore.cla.co.uk/secure/link?id=269cdb49-e3fc-ea11-80cd-005056af4099
Berger, J. (2008). Chapter 3 in Ways of seeing. Penguin. https://contentstore.cla.co.uk/secure/link?id=12168824-e5fc-ea11-80cd-005056af4099
Bill Yousman, Lori Bindig Yousman, & Gail Dines. (2020). Gender, Race, and Class in Media (Sixth Edition). SAGE Publications.
Bolton, R. (1989). Chapter: In the American East: Richard Avedon Incorporated, in: The contest of meaning: critical histories of photography. In The contest of meaning: critical histories of photography. MIT Press. https://contentstore.cla.co.uk/secure/link?id=4c1a6683-dfb3-e711-80cb-005056af4099
Bruno Latour and Peter Weibel eds. (2005). Index and Introduction. In Making things public: atmospheres of democracy. MIT Press. https://contentstore.cla.co.uk/secure/link?id=ca35d01a-4fd0-e711-80cd-005056af4099
Bull, S. (2009a). Chapter 2 pgs 23-26 of Photography - ‘The photograph as object: Materiality’. In Photography: Vol. Routledge introductions to media and communications. Routledge. https://contentstore.cla.co.uk/secure/link?id=71379121-50d0-e711-80cd-005056af4099
Bull, S. (2009b). Chapter 2 pgs 26-27 of Photography - ‘The photograph as image: Dematerialisation’. In Photography: Vol. Routledge introductions to media and communications. Routledge. https://contentstore.cla.co.uk/secure/link?id=b0f68d58-50d0-e711-80cd-005056af4099
Bull, S. (2010). Photography: Vol. Routledge introductions to media and communications. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689813610002011&institutionId=2011&customerId=2010
Burgin, V. (n.d.). Chapter ‘Looking at Photographs’ in Thinking photography. https://contentstore.cla.co.uk/secure/link?id=a29582c0-7cfd-ea11-80cd-005056af4099
Butler, J. (2007). Gender trouble: feminism and the subversion of identity. Routledge. https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6585742060002011&institutionId=2011&customerId=2010
Cotton, C. (2014). The photograph as contemporary art: Vol. World of art (Third edition). Thames & Hudson.
Doane, M. A. (2006). Pg 23-38 of Stillness and time: photography and the moving image - ‘Real Time: Instantaneity and the Photographic Imaginary’. In Stillness and time: photography and the moving image. Photoforum and Photoworks. https://contentstore.cla.co.uk/secure/link?id=f170bcf2-4fd0-e711-80cd-005056af4099
Edwards, E., & Hart, J. (2004). Photographs objects histories: on the materiality of images. Routledge. https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6590256150002011&institutionId=2011&customerId=2010
Elkins, J., & Elkins, J. (2007). Photography theory: Vol. volume 2. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689743950002011&institutionId=2011&customerId=2010
Elkins, J., & Elkins, J. (2013). Photography Theory: Vol. The Art Seminar. Taylor and Francis. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689855990002011&institutionId=2011&customerId=2010
Fanon, F. (1999). Chapter 29 The fact of blackness. In Visual culture: the reader (pp. 417–420). SAGE Publications in association with the Open University. https://contentstore.cla.co.uk/secure/link?id=83e97e12-42f4-ea11-80cd-005056af4099
Grau, O. (2003). Chapter 1 of Virtual art: from illusion to immersion - ‘Introduction’. In Virtual art: from illusion to immersion: Vol. Leonardo. MIT. https://contentstore.cla.co.uk/secure/link?id=b6b32674-4fd0-e711-80cd-005056af4099
Grunberg, A. (n.d.). Chapter 18 - The crisis of the real: Photography and Post-modernism. In The photography reader. Routledge. https://contentstore.cla.co.uk/secure/link?id=e09435f2-2bf7-ea11-80cd-005056af4099
Grundberg, A. (1990a). Chapter 5 pgs 168-172 of Crisis of the real: writings on photography, 1974-1989 - ‘What kind of Art is it? Connoisseurs Versus Contextualists’. In Crisis of the real: writings on photography, 1974-1989: Vol. Writers and artists on photography. Aperture. https://contentstore.cla.co.uk/secure/link?id=568945c4-50d0-e711-80cd-005056af4099
Grundberg, A. (1990b). Crisis of the real: writings on photography, 1974-1989: Vol. Writers and artists on photography. Aperture.
hooks, bell. (2015). Black looks: race and representation (2nd ed). Routledge. https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6563945780002011&institutionId=2011&customerId=2010
Lister, M. (Ed.). (2013). The photographic image in digital culture (Second edition). Routledge Taylor & Francis Group. https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=7251631700002011&institutionId=2011&customerId=2010
Lister, M., Lister, M., & Lister, M. (2013). The Photographic Image in Digital Culture: Vol. Comedia (2nd ed). Taylor and Francis. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689935110002011&institutionId=2011&customerId=2010
Liz Wells. (2015). Photography: A Critical Introduction (5th edition). Taylor and Francis. https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6571552150002011&institutionId=2011&customerId=2010
Mirzoeff, N. (2013). The visual culture reader (3rd ed). Routledge.
Mulvey, L. (1999). Chapter 25 Visual pleasure and narrative cinema. In Visual culture: the reader (pp. 381–389). SAGE Publications in association with the Open University. https://contentstore.cla.co.uk/secure/link?id=ac94ec01-41f4-ea11-80cd-005056af4099
Rose, G. (2012). Visual methodologies: an introduction to researching with visual materials (3rd ed). SAGE.
Rosler, M. (2004). Decoys and disruptions: selected writings, 1975-2001. MIT Press in association with International Center of Photography, New York.
Sekula, A. (1999). Chapter 12 of Visual culture: the reader - Reading an archive: photography between labour and capital. In Visual culture: the reader. Sage in association with The Open University. https://contentstore.cla.co.uk/secure/link?id=912999dc-adb5-e711-80cb-005056af4099
Shore, S. (2007). The nature of photographs. Phaidon.
Simone de Beauvoir. (1988). Introduction. In The second sex ; translated and edited by H.M. Parshley. Pan Books. https://contentstore.cla.co.uk/secure/link?id=f1a3d226-93f6-ea11-80cd-005056af4099
Smith, P., & Lefley, C. (2016). Rethinking photography: histories, theories, and education. Routledge. https://ebookcentral.proquest.com/lib/Coventry/detail.action?docID=4014905
Solomon-Godeau, A. (1991). Photography at the dock: essays on photographic history, institutions, and practices: Vol. Media&society. University of Minnesota Press.
Sontag, S. (2002a). Chapter ‘The Heroism of Vision’ in On photography. Penguin. https://contentstore.cla.co.uk/secure/link?id=b740c33c-79fd-ea11-80cd-005056af4099
Sontag, S. (2002b). On photography: Vol. Penguin classics. Penguin.
Stallabrass, J. (Ed.). (2013). Memory of fire: images of war and the war of images. Photoworks.
Sturken, M., & Cartwright, L. (2009). Practices of looking: an introduction to visual culture (2nd ed). Oxford University Press.
Sturken, Marita. (2018). Chapter 7 - Brand Culture: The Images and Spaces of Consumption. In Practices of looking: an introduction to visual culture (Third edition). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=cfb2db02-3af7-ea11-80cd-005056af4099
Tag, J. (n.d.). Chapter 24 - Evidence, truth and order: photographic records and the growth of the state. In The photography reader. Routledge. https://contentstore.cla.co.uk/secure/link?id=9ec78e7d-95f6-ea11-80cd-005056af4099
Wells, L. (Ed.). (2016). The photography reader (Second edition). Routledge.
Wollen, P. (2003). Chapter 7 of The photography reader - ‘Fire and Ice’. In The photography reader. Routledge. https://contentstore.cla.co.uk/secure/link?id=3f88db48-4fd0-e711-80cd-005056af4099
