Alberro, A. and Stimson, B. (1999) Conceptual Art: A Critical Anthology. Cambridge, Mass: MIT
Aric Mayer (n.d.) Aesthetics of Catastrophe [online] available from <https://contentstore.cla.co.uk/secure/link?id=b90cd584-50d0-e711-80cd-005056af4099>
Barthes, Roland (translated by Stephen Heath) (1987) ‘Chapter 2 - Rhetoric of the Image’. in Image - Music - Text [online] Reissue. London: HarperCollins Publishers. available from <https://contentstore.cla.co.uk/secure/link?id=6a4ea818-90f6-ea11-80cd-005056af4099>
Batchen, G. (1997) Burning with Desire: The Conception of Photography. Cambridge, Mass: MIT Press
Bate, D. (2016) Photography: The Key Concepts. Second edition. vol. The key concepts series. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc
Bate, D. (2009) ‘Chapter 2 of Photography - “Photography Theory”’. in Photography [online] vol. The key concepts. Oxford: Berg. available from <https://contentstore.cla.co.uk/secure/link?id=638feccd-4fd0-e711-80cd-005056af4099>
Berger, J. (2008) Chapter 3 in Ways of Seeing [online] London: Penguin. available from <https://contentstore.cla.co.uk/secure/link?id=12168824-e5fc-ea11-80cd-005056af4099>
Berger, J. (1980) Chapter ‘Uses of Photography’ in About Looking [online] London: Writers and Readers. available from <https://contentstore.cla.co.uk/secure/link?id=269cdb49-e3fc-ea11-80cd-005056af4099>
Bill Yousman, Lori Bindig Yousman, and Gail Dines (2020) Gender, Race, and Class in Media. Sixth Edition. Thousand Oaks: SAGE Publications
Bolton, R. (1989) ‘Chapter: In the American East: Richard Avedon Incorporated, in: The Contest of Meaning: Critical Histories of Photography’. in The Contest of Meaning: Critical Histories of Photography [online] Cambridge, Mass: MIT Press. available from <https://contentstore.cla.co.uk/secure/link?id=4c1a6683-dfb3-e711-80cb-005056af4099>
Bruno Latour and Peter Weibel eds (2005) ‘Index and Introduction’. in Making Things Public: Atmospheres of Democracy [online] Cambridge, Mass: MIT Press. available from <https://contentstore.cla.co.uk/secure/link?id=ca35d01a-4fd0-e711-80cd-005056af4099>
Bull, S. (2010) Photography [online] vol. Routledge introductions to media and communications. London: Routledge. available from <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689813610002011&institutionId=2011&customerId=2010>
Bull, S. (2009a) ‘Chapter 2 Pgs 23-26 of Photography - “The Photograph as Object: Materiality”’. in Photography [online] vol. Routledge introductions to media and communications. London: Routledge. available from <https://contentstore.cla.co.uk/secure/link?id=71379121-50d0-e711-80cd-005056af4099>
Bull, S. (2009b) ‘Chapter 2 Pgs 26-27 of Photography - “The Photograph as Image: Dematerialisation”’. in Photography [online] vol. Routledge introductions to media and communications. London: Routledge. available from <https://contentstore.cla.co.uk/secure/link?id=b0f68d58-50d0-e711-80cd-005056af4099>
Burgin, V. (n.d.) Chapter ‘Looking at Photographs’ in Thinking Photography [online] London : Macmillan, 1982. available from <https://contentstore.cla.co.uk/secure/link?id=a29582c0-7cfd-ea11-80cd-005056af4099>
Butler, J. (2007) Gender Trouble: Feminism and the Subversion of Identity [online] New York: Routledge. available from <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6585742060002011&institutionId=2011&customerId=2010>
Cotton, C. (2014) The Photograph as Contemporary Art. Third edition. vol. World of art. London: Thames & Hudson
Doane, M.A. (2006) ‘Pg 23-38 of Stillness and Time: Photography and the Moving Image - “Real Time: Instantaneity and the Photographic Imaginary”’. in Stillness and Time: Photography and the Moving Image [online] Brighton: Photoforum and Photoworks. available from <https://contentstore.cla.co.uk/secure/link?id=f170bcf2-4fd0-e711-80cd-005056af4099>
Edwards, E. and Hart, J. (2004) Photographs Objects Histories: On the Materiality of Images [online] London: Routledge. available from <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6590256150002011&institutionId=2011&customerId=2010>
Elkins, J. and Elkins, J. (2013) Photography Theory [online] vol. The Art Seminar. Hoboken: Taylor and Francis. available from <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689855990002011&institutionId=2011&customerId=2010>
Elkins, J. and Elkins, J. (2007) Photography Theory [online] vol. volume 2. New York: Routledge. available from <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689743950002011&institutionId=2011&customerId=2010>
Fanon, F. (1999) ‘Chapter 29 The Fact of Blackness’. in Visual Culture: The Reader [online] London: SAGE Publications in association with the Open University, 417–420. available from <https://contentstore.cla.co.uk/secure/link?id=83e97e12-42f4-ea11-80cd-005056af4099>
Grau, O. (2003) ‘Chapter 1 of Virtual Art: From Illusion to Immersion - “Introduction”’. in Virtual Art: From Illusion to Immersion [online] vol. Leonardo. Cambridge, MA.: MIT. available from <https://contentstore.cla.co.uk/secure/link?id=b6b32674-4fd0-e711-80cd-005056af4099>
Grunberg, A. (n.d.) ‘Chapter 18 - The Crisis of the Real: Photography and Post-Modernism’. in The Photography Reader [online] London: Routledge. available from <https://contentstore.cla.co.uk/secure/link?id=e09435f2-2bf7-ea11-80cd-005056af4099>
Grundberg, A. (1990a) Crisis of the Real: Writings on Photography, 1974-1989. vol. Writers and artists on photography. New York: Aperture
Grundberg, A. (1990b) ‘Chapter 5 Pgs 168-172 of Crisis of the Real: Writings on Photography, 1974-1989 - “What Kind of Art Is It? Connoisseurs Versus Contextualists”’. in Crisis of the Real: Writings on Photography, 1974-1989 [online] vol. Writers and artists on photography. New York: Aperture. available from <https://contentstore.cla.co.uk/secure/link?id=568945c4-50d0-e711-80cd-005056af4099>
hooks, bell (2015) Black Looks: Race and Representation [online] 2nd ed. New York, New York: Routledge. available from <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6563945780002011&institutionId=2011&customerId=2010>
Lister, M. (ed.) (2013) The Photographic Image in Digital Culture [online] Second edition. London: Routledge Taylor & Francis Group. available from <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=7251631700002011&institutionId=2011&customerId=2010>
Lister, M., Lister, M., and Lister, M. (2013) The Photographic Image in Digital Culture [online] 2nd ed. vol. Comedia. Hoboken: Taylor and Francis. available from <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689935110002011&institutionId=2011&customerId=2010>
Liz Wells (2015) Photography: A Critical Introduction [online] 5th edition. Taylor and Francis. available from <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6571552150002011&institutionId=2011&customerId=2010>
Mirzoeff, N. (2013) The Visual Culture Reader. 3rd ed. London: Routledge
Mulvey, L. (1999) ‘Chapter 25 Visual Pleasure and Narrative Cinema’. in Visual Culture: The Reader [online] London: SAGE Publications in association with the Open University, 381–389. available from <https://contentstore.cla.co.uk/secure/link?id=ac94ec01-41f4-ea11-80cd-005056af4099>
Rose, G. (2012) Visual Methodologies: An Introduction to Researching with Visual Materials. 3rd ed. London: SAGE
Rosler, M. (2004) Decoys and Disruptions: Selected Writings, 1975-2001. Cambridge, Mass: MIT Press in association with International Center of Photography, New York
Sekula, A. (1999) ‘Chapter 12 of Visual Culture: The Reader - Reading an Archive: Photography between Labour and Capital’. in Visual Culture: The Reader [online] London: Sage in association with The Open University. available from <https://contentstore.cla.co.uk/secure/link?id=912999dc-adb5-e711-80cb-005056af4099>
Shore, S. (2007) The Nature of Photographs. London: Phaidon
Simone de Beauvoir (1988) ‘Introduction’. in The Second Sex ; Translated and Edited by H.M. Parshley [online] London: Pan Books. available from <https://contentstore.cla.co.uk/secure/link?id=f1a3d226-93f6-ea11-80cd-005056af4099>
Smith, P. and Lefley, C. (2016) Rethinking Photography: Histories, Theories, and Education [online] Abingdon, Oxon: Routledge. available from <https://ebookcentral.proquest.com/lib/Coventry/detail.action?docID=4014905>
Solomon-Godeau, A. (1991) Photography at the Dock: Essays on Photographic History, Institutions, and Practices. vol. Media&society. Minneapolis, Minn: University of Minnesota Press
Sontag, S. (2002a) On Photography. vol. Penguin classics. London: Penguin
Sontag, S. (2002b) Chapter ‘The Heroism of Vision’ in On Photography [online] London: Penguin. available from <https://contentstore.cla.co.uk/secure/link?id=b740c33c-79fd-ea11-80cd-005056af4099>
Stallabrass, J. (ed.) (2013) Memory of Fire: Images of War and the War of Images. Brighton: Photoworks
Sturken, M. and Cartwright, L. (2009) Practices of Looking: An Introduction to Visual Culture. 2nd ed. New York: Oxford University Press
Sturken, Marita (2018) ‘Chapter 7 - Brand Culture: The Images and Spaces of Consumption’. in Practices of Looking: An Introduction to Visual Culture [online] Third edition. New York: Oxford University Press. available from <https://contentstore.cla.co.uk/secure/link?id=cfb2db02-3af7-ea11-80cd-005056af4099>
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Wells, L. (ed.) (2016) The Photography Reader. Second edition. London: Routledge
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