Alberro A and Stimson B, Conceptual Art: A Critical Anthology (MIT 1999)
Aric Mayer, ‘Aesthetics of Catastrophe’ (Public Culture) 177 <https://contentstore.cla.co.uk/secure/link?id=b90cd584-50d0-e711-80cd-005056af4099>
Barthes, Roland (translated by Stephen Heath), ‘Chapter 2 - Rhetoric of the Image’, Image - Music - Text (Reissue, HarperCollins Publishers 1987) <https://contentstore.cla.co.uk/secure/link?id=6a4ea818-90f6-ea11-80cd-005056af4099>
Batchen G, Burning with Desire: The Conception of Photography (MIT Press 1997)
Bate D, ‘Chapter 2 of Photography - “Photography Theory”’, Photography, vol The key concepts (Berg 2009) <https://contentstore.cla.co.uk/secure/link?id=638feccd-4fd0-e711-80cd-005056af4099>
——, Photography: The Key Concepts, vol The key concepts series (Second edition, Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc 2016)
Berger J, Chapter ‘Uses of Photography’ in About Looking (Writers and Readers 1980) <https://contentstore.cla.co.uk/secure/link?id=269cdb49-e3fc-ea11-80cd-005056af4099>
——, Chapter 3 in Ways of Seeing (Penguin 2008) <https://contentstore.cla.co.uk/secure/link?id=12168824-e5fc-ea11-80cd-005056af4099>
Bill Yousman, Lori Bindig Yousman, and Gail Dines, Gender, Race, and Class in Media (Sixth Edition, SAGE Publications 2020)
Bolton R, ‘Chapter: In the American East: Richard Avedon Incorporated, in: The Contest of Meaning: Critical Histories of Photography’, The contest of meaning: critical histories of photography (MIT Press 1989) <https://contentstore.cla.co.uk/secure/link?id=4c1a6683-dfb3-e711-80cb-005056af4099>
Bruno Latour and Peter Weibel eds, ‘Index and Introduction’, Making things public: atmospheres of democracy (MIT Press 2005) <https://contentstore.cla.co.uk/secure/link?id=ca35d01a-4fd0-e711-80cd-005056af4099>
Bull S, ‘Chapter 2 Pgs 23-26 of Photography - “The Photograph as Object: Materiality”’, Photography, vol Routledge introductions to media and communications (Routledge 2009) <https://contentstore.cla.co.uk/secure/link?id=71379121-50d0-e711-80cd-005056af4099>
——, ‘Chapter 2 Pgs 26-27 of Photography - “The Photograph as Image: Dematerialisation”’, Photography, vol Routledge introductions to media and communications (Routledge 2009) <https://contentstore.cla.co.uk/secure/link?id=b0f68d58-50d0-e711-80cd-005056af4099>
——, Photography, vol Routledge introductions to media and communications (Routledge 2010) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689813610002011&institutionId=2011&customerId=2010>
Burgin V, Chapter ‘Looking at Photographs’ in Thinking Photography <https://contentstore.cla.co.uk/secure/link?id=a29582c0-7cfd-ea11-80cd-005056af4099>
Butler J, Gender Trouble: Feminism and the Subversion of Identity (Routledge 2007) <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6585742060002011&institutionId=2011&customerId=2010>
Cotton C, The Photograph as Contemporary Art, vol World of art (Third edition, Thames & Hudson 2014)
Doane MA, ‘Pg 23-38 of Stillness and Time: Photography and the Moving Image - “Real Time: Instantaneity and the Photographic Imaginary”’, Stillness and time: photography and the moving image (Photoforum and Photoworks 2006) <https://contentstore.cla.co.uk/secure/link?id=f170bcf2-4fd0-e711-80cd-005056af4099>
Edwards E and Hart J, Photographs Objects Histories: On the Materiality of Images (Routledge 2004) <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6590256150002011&institutionId=2011&customerId=2010>
Elkins J and Elkins J, Photography Theory, vol volume 2 (Routledge 2007) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689743950002011&institutionId=2011&customerId=2010>
——, Photography Theory, vol The Art Seminar (Taylor and Francis 2013) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689855990002011&institutionId=2011&customerId=2010>
Fanon F, ‘Chapter 29 The Fact of Blackness’, Visual culture: the reader (SAGE Publications in association with the Open University 1999) <https://contentstore.cla.co.uk/secure/link?id=83e97e12-42f4-ea11-80cd-005056af4099>
Grau O, ‘Chapter 1 of Virtual Art: From Illusion to Immersion - “Introduction”’, Virtual art: from illusion to immersion, vol Leonardo (MIT 2003) <https://contentstore.cla.co.uk/secure/link?id=b6b32674-4fd0-e711-80cd-005056af4099>
Grunberg A, ‘Chapter 18 - The Crisis of the Real: Photography and Post-Modernism’, The photography reader (Routledge) <https://contentstore.cla.co.uk/secure/link?id=e09435f2-2bf7-ea11-80cd-005056af4099>
Grundberg A, ‘Chapter 5 Pgs 168-172 of Crisis of the Real: Writings on Photography, 1974-1989 - “What Kind of Art Is It? Connoisseurs Versus Contextualists”’, Crisis of the real: writings on photography, 1974-1989, vol Writers and artists on photography (Aperture 1990) <https://contentstore.cla.co.uk/secure/link?id=568945c4-50d0-e711-80cd-005056af4099>
——, Crisis of the Real: Writings on Photography, 1974-1989, vol Writers and artists on photography (Aperture 1990)
hooks bell, Black Looks: Race and Representation (2nd ed, Routledge 2015) <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6563945780002011&institutionId=2011&customerId=2010>
Lister M (ed), The Photographic Image in Digital Culture (Second edition, Routledge Taylor & Francis Group 2013) <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=7251631700002011&institutionId=2011&customerId=2010>
Lister M, Lister M and Lister M, The Photographic Image in Digital Culture, vol Comedia (2nd ed, Taylor and Francis 2013) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4689935110002011&institutionId=2011&customerId=2010>
Liz Wells, Photography: A Critical Introduction (5th edition, Taylor and Francis 2015) <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6571552150002011&institutionId=2011&customerId=2010>
Mirzoeff N, The Visual Culture Reader (3rd ed, Routledge 2013)
Mulvey L, ‘Chapter 25 Visual Pleasure and Narrative Cinema’, Visual culture: the reader (SAGE Publications in association with the Open University 1999) <https://contentstore.cla.co.uk/secure/link?id=ac94ec01-41f4-ea11-80cd-005056af4099>
Rose G, Visual Methodologies: An Introduction to Researching with Visual Materials (3rd ed, SAGE 2012)
Rosler M, Decoys and Disruptions: Selected Writings, 1975-2001 (MIT Press in association with International Center of Photography, New York 2004)
Sekula A, ‘Chapter 12 of Visual Culture: The Reader - Reading an Archive: Photography between Labour and Capital’, Visual culture: the reader (Sage in association with The Open University 1999) <https://contentstore.cla.co.uk/secure/link?id=912999dc-adb5-e711-80cb-005056af4099>
Shore S, The Nature of Photographs (Phaidon 2007)
Simone de Beauvoir, ‘Introduction’, The second sex ; translated and edited by H.M. Parshley (Pan Books 1988) <https://contentstore.cla.co.uk/secure/link?id=f1a3d226-93f6-ea11-80cd-005056af4099>
Smith P and Lefley C, Rethinking Photography: Histories, Theories, and Education (Routledge 2016) <https://ebookcentral.proquest.com/lib/Coventry/detail.action?docID=4014905>
Solomon-Godeau A, Photography at the Dock: Essays on Photographic History, Institutions, and Practices, vol Media&society (University of Minnesota Press 1991)
Sontag S, Chapter ‘The Heroism of Vision’ in On Photography (Penguin 2002) <https://contentstore.cla.co.uk/secure/link?id=b740c33c-79fd-ea11-80cd-005056af4099>
——, On Photography, vol Penguin classics (Penguin 2002)
Stallabrass J (ed), Memory of Fire: Images of War and the War of Images (Photoworks 2013)
Sturken M and Cartwright L, Practices of Looking: An Introduction to Visual Culture (2nd ed, Oxford University Press 2009)
Sturken, Marita, ‘Chapter 7 - Brand Culture: The Images and Spaces of Consumption’, Practices of looking: an introduction to visual culture (Third edition, Oxford University Press 2018) <https://contentstore.cla.co.uk/secure/link?id=cfb2db02-3af7-ea11-80cd-005056af4099>
Tag J, ‘Chapter 24 - Evidence, Truth and Order: Photographic Records and the Growth of the State’, The photography reader (Routledge) <https://contentstore.cla.co.uk/secure/link?id=9ec78e7d-95f6-ea11-80cd-005056af4099>
Wells L (ed), The Photography Reader (Second edition, Routledge 2016)
Wollen P, ‘Chapter 7 of The Photography Reader - “Fire and Ice”’, The photography reader (Routledge 2003) <https://contentstore.cla.co.uk/secure/link?id=3f88db48-4fd0-e711-80cd-005056af4099>
